Now in its third edition Poetry: The Basics remains an engaging exploration of the world of poetry. Drawing on examples ranging from Chaucer to children's rhymes, Cole Porter to Carol Ann Duffy, and from around the English-speaking world, it shows how any reader can understand and gain more pleasure from poetry. Exploring poetry’s relationship to everyday language and introducing major genres and technical aspects in an accessible way, it is a clear introduction to how different types of poetry work through the study of details and of whole poems. With a revised chapter on the different practices and ideas in the writing of poetry now, including sections on film poetry and digital poetics, this is a must read for all students of English Literature.
SparkChartsTM--created by Harvard students for students everywhere--serve as study companions and reference tools that cover a wide range of college and graduate school subjects, including Business, Computer Programming, Medicine, Law, Foreign Language, Humanities, and Science. Titles like How to Study, Microsoft Word for Windows, Microsoft Powerpoint for Windows, and HTML give you what it takes to find success in school and beyond. Outlines and summaries cover key points, while diagrams and tables make difficult concepts easier to digest. This six-page chart covers: Western poetic schools Elements of poetry, including types of meter, foot, rhyme, and form Types of poetic language and figurative meaning Genres of poetry How to analyze a poem and write an essay on poetry PLUS: A detailed analysis of two different poems: Robert Frost's "The Road Not Taken" and Shakespeare's "Sonnet 60" List of selected poets and online poetry resources
Pattern poetry—poetry from before 1900 that fuses literature and visual art—has existed since the times of ancient Crete and Egypt. Less well known than modern visual poetry, pattern poetry has been produced in most European and American literatures, and, as close analogues, in many oriental literatures. This book tells the history of pattern poetry, documenting and classifying more than 2,000 works. Illustrations of each major genre of pattern poem are included. The book also explores related forms, such as graphic music notations, shaped prose, sound poetry, and poetic labyrinths, to name a few. A glossary, essays by two world authorities on the oriental analogues to the pattern poem, and the first full bibliography on pattern poetry complete the work. With this book, Dick Higgins has provided an indispensable tool for opening up the area of pattern poetry to the scholar and the lay reader alike, bringing order to what has been an obscure and confusing area, and delighting the eye and mind by casting light on these forgotten treasures.
Poetry is philosophically interesting, writes Gerald L. Bruns, "when it is innovative not just in its practices, but, before everything else, in its poetics (that is, in its concepts or theories of itself)." In The Material of Poetry, Bruns considers the possibility that anything, under certain conditions, may be made to count as a poem. By spelling out such enabling conditions he gives us an engaging overview of some of the kinds of contemporary poetry that challenge our notions of what language is: sound poetry, visual or concrete poetry, and "found" poetry. Poetry's sense and meaning can hide in the spaces in which it is written and read, says Bruns, and so he urges us to become anthropol...